Another example of why you should always hire a professional zooarchaeologist when you find animal bones on your site (in this case, the professional zooarchaeologist was Renee Walker):
The internet erased my original meme, so this will have to do.
Hart, JohnP., and Robert S. Feranec. 2019. The Dog That Wasn’t: An Historical Pig Burial on the Sixteenth-Century AD Klock Site, Fulton County, New York. Archaeology of Eastern North America 47:1-6.
Abstract. An articulated animal skeleton was found in a pit feature at the cal. sixteenth-century AD Klock site in Fulton County, New York during New York State Museum excavations in 1970. The skeleton was reported as a dog burial associated with the Native American occupation in Funk and Kuhn’s 2003 report on the site. Recent analysis indicates that the animal was a six-month-old domesticated pig. A radiocarbon date on the skeleton indicates the animal was most likely buried in the cal. nineteenth century AD, well after the Native American occupation of the site.
Haven’t had too much archaeology on the Ledger recently, so a here’s a projectile point from the Ellison Site, which is just uphill from the Lamoka Lake site. A brief surface survey of part of the site was undertaken with the permission of the landowner. Known as a Brewerton point, this likely dates to the Middle Archaic, or earlier than the occupation of the Lamoka Lake site.
Brewerton Side-Notched point (PP#3) from the Ellison Site. Source: TCMTip of Brewerton Side-Notched Point (PP#3). Source: TCM
There’s some cool geology on display at Paint Mines Interpretive Park, operated by El Paso County on the plains of Colorado, about 35 miles northeast of Colorado Springs. Colored bands of clay, about 55 million years old, are sandwiched between white sandstone layers. Erosion has shaped the landscape into a badlands of hoodoos and spires. The different colors of clay are striking, but many photos on the internet appear to have been aggressively photoshopped to accentuate the effect.
One person’s experience in and advice on combining classics, anthropology, and human osteology in a career: The Skeleton in My Closet by Kristina Killgrove. There’s some weird-sounding situations, like the quote below, that make me wonder what else was going on, but the advice is pretty solid.
While there was interest among the students in a Roman archaeology offering, my archaeology division head didn’t allow it: a regular semester course would take away from the “real archaeology classes,” and that would be unfair to other faculty’s enrollment, I was told
Olympieion, Athens, Viewed from the East, 1842. Joseph-Philibert Girault de Prangey. Source: Metropolitan Museum of Art/Qatar Museum Collections (IM.314)
In the 1840s, Joseph-Philibert Girault de Prangey, a French photographer and architectural historian, took thousands of photographic images of monuments of Greece, Italy, Egypt, and other countries during a three-year long trip around the Mediterranean. The daguerrotypes he produced are the oldest known surviving photos of these locations.
The site of Petra in Jordan had been a tourist destination for almost a century when two British archaeologists, George Horsfield and Agnes Conway, arrived in what was then called the British Mandate Transjordan. Petra 1929 transcribes the field journal of their excavations in and around the Nabataean city.
The Treasury at Petra from Al Siq. Source: David Bjorgen [CC BY-SA 3.0 (http://creativecommons.org/licenses/by-sa/3.0/)]
“Remember me any way you like, but remember me”
-Jane Sanders Britton
Jane Britton’s Anthropology Notebook. Photo released by Middlesex County (Massachusetts) District Attorney Office.
Almost 50 years after her murder, police in Massachusetts say they have solved the murder of Jane Britton, who was a graduate student in Harvard’s anthropology department. DNA evidence indicates that Britton was murdered in her apartment by Michael Sumpter, who died in 2001 while serving a sentence for the rape of another woman in 1975. He has since been linked to two other murder/rapes.
Britton’s death was sensationalized at the time, not only because she was a Harvard coed, but because newspapers, quoting a police detective, reported that her murder was part of a “primitive rite” involving red ochre found on her body and the walls of her apartment. Britton, as an archaeologist, had done fieldwork at Tepe Yahya in Iran and in France, and some people made a connection with the red ochre sometimes found in prehistoric burials. Furthermore, a sharp stone tool (possibly a prehistoric hand ax?) that an archaeologist friend had given to her was reported missing from her apartment. Her boyfriend, who found her body, was also an anthropology grad student, as were two of her neighbors, who had been with her before her death, and a “Peru hippie” she had previously dated. Rumors later tried to link her death with other Harvard anthropology students who had died or disappeared, and other women in the Cambridge area who were murdered before or after Britton.
Police and anthropologists at Harvard quickly denied the “primitive rites” story, and the chief instituted a news blackout because of “inaccuracies” in the reporting. No one was ever arrested for the crime. Anthropologist Don Mitchell, one of the last people to see her alive, said he
had long suspected the killer was someone Britton knew at Harvard. “I was surprised,” Mitchell said Tuesday. “Very few people at the time thought it was somebody random who came in and killed her. Everyone thought it was connected to the anthropology department.”
Yet the man now identified as responsible for her murder had no other connection to Britton. The missing stone tool was found soon after the first newspaper reports came out, and the “red ochre” was, according to the new report, from painting supplies that Britton had.
Details on the DNA investigation are at The Boston Globe. More details in a 2017 article, when amateur investigators and a reporter were trying to get the prosecutors to release records of the investigation. Official press release of the Middlesex County District Attorney
Life Magazine cover from 1926, by John Held, Jr. Source: Washington University in St. Louis.
In the 1920s, John Held, Jr., became famous for his drawings in Life, Vanity Fair, and other magazines that enshrined the iconic flapper image: lean and leggy, with beaded necklace swinging as she danced the Charleston with her companion, the round-headed, pencil-necked, Joe College.
The “tall, dark and tweedy” (Shuttleworth 1965) artist had come to New York City from Utah in 1912, where he found work as a commercial artist. As America entered World War I, John Held would take on another, clandestine, responsibility.
