We’re overdue for some Bing on this page. Crosby not only sings, he provides percussion for Rhythm on the River, from the 1940 film of the same name.
Does the Royal Ontario Museum have the real inspiration for the Leg Lamp from the classic movie A Christmas Story?
The lamp in the movie was allegedly inspired by a Nehi soda advertisement, but the original source must be this Archaic Greek leg vase, on view at the Toronto museum.
For the more recent history of the leg lamp, see A Christmas Story House.
Yes, I post this every December.
Pick the right tool for the job:
From Abbott and Costello Meet the Mummy (1955)
With Halloween approaching, here’s a shoutout to an early mummy movie. Mercy, the Mummy Mumbled, is an all-black silent film from 1918. Several silent movies featured mummies as plot devices; The Egyptian Mummy, for example, was released in 1914 but Mercy is likely the only one made by African-American filmmakers for African-American audiences.
The plots of the two films are very similar: a mad scientist is willing to pay big bucks for a mummy to experiment on; a young man needs money to marry his girlfriend; a fake mummy is created. Mercy adds two Egyptian secret agents tracking down their country’s stolen artifacts to the story, all within an 11 minute run time.
Mercy, the Mummy Mumbled was released by the short-lived Ebony Film Corporation of Chicago and is included in Pioneers of African-American Cinema box set (but Mercy is only on the Blu-ray collection, not on the DVD collection) by Kino Lorber. The five discs include movies from as early as 1915 and as late as 1946. See the New York Times review for more details: Black Filmmaking Aborning. Much of the film can also be viewed on YouTube, and stills from Mercy can be seen at the DAARAC site. The Egyptian Mummy, released by the much larger Vitagraph company, can be streamed on Amazon Prime.
The Diamonds sing about the positive effect of monster movies. The Canadian quartet recorded Batman, Wolfman, Frankenstein or Dracula in 1959. The song was written by Roy Alfred, who also wrote the lyrics for The Hucklebuck, as well as several songs that tried to hop on the rock and roll craze for singers like Kay Starr (The Rock and Roll Waltz), Tennessee Ernie Ford (Rock, Roll, Boogie), and Nat “King” Cole (When Rock and Roll Come to Trinidad).
Assembled by Clara Darko.
“pure affability, clever, charming and confident” (Richard Corliss on James Garner)