You begin to interest me…vaguely
Tales from a short-lived road Rallye of the 1950s: A Classic New England Rally is Revived, Minus the Mud (New York Times article). Here’s the link to the resurrected rally: Great American Mountain Rally Revival.
“We were boggled they felt they could handle it without chains and backwards at a fairly high speed”
Peter Bullard
Recently we visited Manitoga, a National Historic Landmark that is the studio and home of industrial designer Russel Wright. A prime advocate of what has been called “Livable Modernism,” Wright, with the aid of his wife, Mary, became one of the most influential and well-known designers of the 1930s to 1950s. His pottery, tableware, and furniture brought Modernism to the American masses (quite literally: his most popular line of pottery and one of his furniture lines were both named American Modern).
Together, they wrote the 1950 manifesto Guide to Easier Living which promoted radical ideas like “buffet suppers, one-pot meals, portable seating and lots of double-duty storage…They may be the inventors of modern grad student storage: wooden shelves on cinder blocks hidden behind a curtain” (Alexandra Lange, “Easier Living, By Design”, The New York Times July 23, 2010).
Manitoga came later in his career. He and Mary purchased the land in the Hudson Highlands north of New York City around 1942 and spent many years modifying the landscape, including turning an abandoned quarry pit into a swimming pond complete with a waterfall.
They lived in a cottage (still standing, but not part of the Landmark) next to the quarry. It was not until several years after Mary’s death in 1952 that Russel began building the house and studio (designed with architect David Leavitt). It was completed in 1960 and Russel lived there with his daughter Annie and her governess/housekeeper until his death in 1976.
Dragon Rock is a rare instance of Mr. Wright contradicting his theory of “easier living,” — his daughter, Anne, recalls arduous hours spent vacuuming the rocks and keeping all 11 levels in some semblance of order.
Richard Horn, “Collecting Russel Wright” The New York Times August 23, 1979.
It’s hard to argue with that number.
Carl Reiner included an entire, albeit short, chapter (16 – not a very funny number) on the story, including some of the runner-up numbers, in his book I Remember Me. And here’s a fascinating portrait of Sid Caesar originally published in the Saturday Evening Post in 1953.
Pick the right tool for the job:
From Abbott and Costello Meet the Mummy (1955)
If the shovel is your pick, here’s a good one.
OK, so maybe there were no camels in Roman Greenwich, but that doesn’t mean there were never any camels around. Here’s a caravan of them in Blackheath, just south of Greenwich Park, in the 1950s:
The Diamonds sing about the positive effect of monster movies. The Canadian quartet recorded Batman, Wolfman, Frankenstein or Dracula in 1959. The song was written by Roy Alfred, who also wrote the lyrics for The Hucklebuck, as well as several songs that tried to hop on the rock and roll craze for singers like Kay Starr (The Rock and Roll Waltz), Tennessee Ernie Ford (Rock, Roll, Boogie), and Nat “King” Cole (When Rock and Roll Come to Trinidad).
For more Halloween music, check out Tain’t No Sin to Take off your Skin and these three lesser-known songs.
