Before England fell in love with tea, there was coffee. Beginning in the 1600s, coffeehouses spread through England. Historians think of them as the more polite, refined counterpoint to taverns and alehouses, a place where the customers – mostly male – could drink and discuss and debate the news of the day.
It’s a bit surprising that almost no coffeehouses have been explored archaeologically, but Craig Cessford and colleagues now describe artifacts, tightly dated to between 1770 and 1780, from a small brick cellar associated with Clapham’s Coffeehouse in Cambridge, England. Continue reading “Coffeehouse Archaeology in England”
Jazz provoked reactions ranging from devotion to abhorrence when the idea, and then the sound, of the music first entered the consciousness of the British public in the aftermath of the First World War. Visiting American groups such as the Original Dixieland Jazz Band and the Southern Syncopated Orchestra offered Britons their first chance to experience the music live.
The growing interest in jazz brought black and white musicians, artists and audiences together, and was crucial in influencing changes in British society, moving from stereotypes descended from the minstrel show to a more nuanced understanding of and interest in African American and black British culture.
The exhibition brings together painting, prints, cartoons, textiles and ceramics, moving film, instruments and the all-important jazz sound, to explicitly examine the influence of jazz on British art, design and wider society.
…the old-school way, with paperclips. David Hurst Thomas illustrates:
“Seriation diagrams were once constructed by hand (literally). Frequencies of temporal types were converted to percentages, then drawn on individual strips, which were then moved up or down until they approximated a series of battleship-shaped curves (Ford, 1962: fig.8). This tedious and subjective procedure has since been replaced by computer programs.”
David Hurst Thomas 2008, Addressing Variability in the Pooled Radiocarbon Record of St. Catherines Island, in Native American Landscapes of St. Catherines Island, Georgia. II The Data. Anthropological Papers of the American Museum of Natural History No. 88. Figure 16.9.
Note that the deadline for applying is coming soon!
Historic Eastfield Foundation is pleased to announce that it will offer two scholarships for emerging ceramics scholars to attend the Historic Ceramics Symposium, better known as “Dish Camp”, June 23-24, 2017 at Historic Eastfield Village in East Nassau, New York. Scholarship recipients will receive a tuition waiver for the two day program, lunch both days, and a period dinner on Saturday night. Recipients will be responsible for their own transportation and lodging. Primitive lodging at Brigg’s Tavern is available on site for no cost.
Those interested in applying should provide a one page written essay that discusses their personal interest in historic ceramics and why they believe that attending Dish Camp would benefit their education. Please send your essay and contact information via email to Debbie Miller, Program Chair, at email@example.com<mailto:firstname.lastname@example.org>. Continue reading ““Dish Camp” for Historic Ceramics Aficionados-Scholarship Available”