Tag: 1920s

Sometimes, the Jazz Age becomes Archaeology

This artifact, likely a brooch, depicts a 1920s-era flapper, cloche hat and all. It was found at an archaeological site in Jersey City, New Jersey. This and the many other artifacts found during excavation of a series of former houses, most demolished by the 1930s, provide a glimpse of the middle class families who lived in Jersey City in the early twentieth century.

Reference:

Howson, Jean, and Leonard G. Bianchi

2014    Covert-Larch: Archaeology of a Jersey City Neighborhood: Data Recovery for the Route 1&9T (25) St. Paul’s Viaduct Replacement Project Jersey City, Hudson County, NJ, Volume 1. Cultural Resource Unit, The RBA Group, Inc.

Art and Design of the New York Central Railroad

The other fab Jazz Age exhibit at the Albany Institute of History and Art is Romancing the Rails: Train Travel in the 1920s and 1930s, which focuses on the New York Central Railroad.

It’s cool to see the original paintings for some of their now classic advertising posters. There’s also a lot of items from industrial designer Henry Dreyfuss’s work on the 20th Century Limited, “The Most Famous Train in the World.” Dreyfuss designed everything from the streamlined locomotives to the dinner plates.

Romancing the Rails is on display through February 2022.

Original oil on canvas painting by Walter L. Greene, c. 1927 (right), next to a printed poster used by the New York Central Railroad (left).
Original oil on posterboard painting by Chesley Bonestell, c. 1929.
Glassware (by Libbey) and ceramic dinner plate designed by Henry Dreyfuss for the 20th Century Limited, 1938.

Original designs for the 20th Century Limited’s cars by Henry Dreyfuss, gouache on paper, 1938.
Bar Lounge design for the 20th Century Limited by Henry Dreyfuss, gouache on paper, 1938.

Featured image: Observation Car design for the 20th Century Limited by Henry Dreyfuss, gouache on paper, 1938.

Jazz Age Adventurers: Fashion Edition

At the Albany Institute of History and Art: Fashionable Frocks of the 1920s showcases the adventurous dresses of the Jazz Age.

Silk Evening Coat, 1929.
Quintessential flapper dress in silk and rayon exemplified the “relaxed morals” of the decade.
Chiffon “Bab” dress, c. 1925, Paris.
If you couldn’t afford a Paris original, Montgomery Wards and other department stores provided fashionable alternatives.

Featured image: Silk dress with flower, worn by former Girl Driver of Hospital Truck, D.T.A. Cogswell.

Vintage Barware Auction

If you don’t already have a penguin-shaped cocktail shaker, check out this Sotheby’s auction underway now. The shakers, ice buckets, and glasses were selected by Alan Bedwell to celebrate the 100th anniversary of Prohibition. While Prohibition lasted from 1920 to 1933, the items in the auction range from the 1700s to the 1980s.

Penguin Cocktail Shaker, c. 1936. Source: Sotheby’s.
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Glencairn’s Cozy Living Room

The living room at Glencairn. The stained glass includes an 800 year old panel from Europe and twentieth-century panels built on site using the same techniques. Source: TCM

Glencairn was built by Raymond Pitcairn, “self-taught cathedral architect” (as his New York Times obituary described him) and heir to the massive empire created by his father, John, the founder of PPG industries.

After completing construction of the Bryn Athyn Cathedral of the The New Church, Pitcairn turned to building himself a new house. Located north of Philadelphia (the Philly skyline can be seen from the top of the mansion’s seven-story tower), it was designed by Pitcairn and constructed between 1928 and 1939, while Pitcairn was simultaneously fighting against Roosevelt’s New Deal. Glencairn is built in the Romanesque style out of hand-cut stone and concrete. It contains 90 rooms, including 17 bedrooms, a chapel, and the expansive living room, decorated with both actual Medieval-era items and modern recreations built by artisans in the same style.

Source: TCM
The inglenook. Source: TCM
Ceiling inspired by the Irish Book of Kells. Source: TCM
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Egyptian Artifacts at Glencairn

Some of the Egyptian artifacts on display at Glencairn, a mansion turned museum outside of Philadelphia.

stone head of Sakhmet
Head of the goddess Sakhmet, Karnak, Temple of Mut, New Kingdom, Egypt. Glencairn collection. Source: TCM
Relief of Horus on Lotus and Papyrus Clump. Glencairn collection. Source: TCM
Crocodile mummy, Egypt. Glencairn collection. Source: TCM

One-Take Woody: Behind the Scenes Photos of Classic Movies

Director W.S. Van Dyke had a reputation for getting things right the first time. Two movies he directed in the 1920s were shot on location in Tahiti. For Trader Horn (1931), he spent seven months filming in East Africa. His best known movies, however, are The Thin Man (he also directed three of the sequels), Tarzan the Ape Man (filmed in Hollywood, it used stock footage from Trader Horn), and several Jeanette MacDonald and Nelson Eddy films. ClassicMovieHub.com has several behind-the-scenes photos of Van Dyke at work.

Filming Trader Horn. Source: Horning into Africa, by W.S. Van Dyke, 1931/erbzine.com

W.S. Van Dyke with Myrna Loy & William Powell on the set of After the Thin Man  (1936). Source: classicmoviehub.com.
W.S. Van Dyke with Jeanette MacDonald and a lamb. Source: classicmoviehub.com

Lee Union-Alls : Union-Made in Trenton

Lee Union-Alls Building, E. State Street, Trenton, NJ. Source: TCM

The H.D. Lee Mercantile company was founded in Salinas, Kansas, in 1889, but by the early twentieth century, it was focused on making clothes and had factories in several cities, including Trenton, New Jersey. Lee Union-Alls, a jumpsuit for mechanics and other blue-collar workers, were created in 1913 and became their signature product. The name touted the fact that they were union-made.

H.D. Lee Mercantile Company Factories, 1920s. Source: H.D. Lee/www.union-made.blogspot.com
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“Tall, Dark, and Tweedy”: Jazz Age Artist John Held Jr. was also an archaeological illustrator – and a World War I spy

Life Magazine cover from 1926, by John Held, Jr. Source: Washington University in St. Louis.

In the 1920s, John Held, Jr., became famous for his drawings in Life, Vanity Fair, and other magazines that enshrined the iconic flapper image: lean and leggy, with beaded necklace swinging as she danced the Charleston with her companion, the round-headed, pencil-necked, Joe College.

The “tall, dark and tweedy” (Shuttleworth 1965) artist had come to New York City from Utah in 1912, where he found work as a commercial artist. As America entered World War I, John Held would take on another, clandestine, responsibility.

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