The Whanganui Regional Museum in New Zealand has three passenger pigeons in their collections, including this somewhat pale female donated to the museum in the nineteenth century by German ornithologist Otto Finsch.
Dr. Erich Dorfman, author of the quote above, described their specimens in this blog post.
Looks like the Pember Museum in Granville, New York has a lovely new exhibit on the passenger pigeon. The museum, located near the Vermont border, has two mounted passenger pigeons and a clutch of eggs (a third specimen is on loan to the Adirondack Museum).
Here’s a photo showing part of the interior of the house in the Lamoka diorama at the New York State Museum. The lodge itself is based on Ritchie’s interpretation of the numerous post molds and features he described as floors at the site, as detailed in his book The Archaeology of New York State. The contents of the interior of the lodge are more speculative. Some items are based on actual artifacts found at the site, like the antlers seen hanging from one of the wooden supports. Others are undoubtedly inferred from more recent Native Americans, ethnographic hunter-gatherers, and other archaeological evidence. The textiles in particular are beautifully done.
Especially interesting is the bow seen hanging on the left side of the photo. Most archaeologists would probably doubt that bows and arrows were used during the Late Archaic in New York. Instead, atlatls (spear throwers) are considered the primary projectile weapon of the time (although bannerstones/atlatl weights are rare to nonexistent at Lamoka). The issue is unresolved however, and several archaeologists have argued for the presence of bows and arrows by this time period (see, for example, Evidence for Bow and Arrow Use in the Small Point Late Archaic of Southwestern Ontario
by Kristen Snarey and Christopher Ellis).
Always love seeing the life-size diorama of the Lamoka Lake site, representing the Archaic Period, at the New York State Museum in Albany. Based, of course, on Ritchie’s excavations at the site, the man in the center is wearing one of the enigmatic antler pendants from the site as, yes, a pendant. He also has a bone-handled knife at his waist, is carrying a fishing net with netsinkers, and wears a shell bead necklace (Ritchie actually thought the shell beads found at the site were associated with the later Woodland occupation). In the background, you can see a fish weir across the narrow channel between the two lakes (there is no direct evidence for weirs at the site) and fish drying racks (some post molds from the site were interpreted this way).
Visitors swamped the museum at the San Isidro Basilica in Spain after two authors published a book claiming a goblet at the basilica is the Holy Grail. It’s not clear yet if the basilica was informed of the stunt prior to publication of the book, or if they were able to raise (or start charging) admission rates before the crowds arrived. Probably not, since they were unable to cope with the demand to see the goblet and have temporarily taken it off display.
Take your pick of news reports covering the story, like this one at the Guardian.
If you need to see The Holy Grail and can’t make it to San Isidro, you can visit the Cloisters Museum in New York City and view another The Holy Grail, a.k.a. the Antioch Chalice, which is either the real Grail, or maybe a lamp. The provenience of that one seems a bit sketchy, too.
Artifacts from the early Spanish site in St. Augustine, Florida (associated with Pedro Menendez de Aviles, not Ponce de Leon) are being donated to the Florida Museum of Natural History at the University of Florida. U. Florida archaeologists have been excavating the site, and storing the artifacts, for many years, so it appears this will make the curatorial arrangement permanent, and perhaps provide a tax break for the owners of the site.