Point of order here: On his trip to Mongolia one hundred years ago, Andrews was actually working as a spy for the U.S. Office of Naval Intelligence during World War I. His more famous Central Asiatic Expeditions, where his team from the American Museum of Natural History made so many important paleontological discoveries, including the first dinosaur egg fossils, began in 1922.
That 1918 mission did result in valuable information that helped make his later scientific expeditions to Mongolia so successful – including his conviction that a motorized vehicle expedition was feasible.
In the 1920s, John Held, Jr., became famous for his drawings in Life, Vanity Fair, and other magazines that enshrined the iconic flapper image: lean and leggy, with beaded necklace swinging as she danced the Charleston with her companion, the round-headed, pencil-necked, Joe College.
From the National Anthropological Archives at the Smithsonian: Jazz Age archaeologist Jesse Walter Fewkes and co-workers showing off their anti-mosquito gear while working at the Weeden Island archaeological site in Florida, 1923.
Jazz provoked reactions ranging from devotion to abhorrence when the idea, and then the sound, of the music first entered the consciousness of the British public in the aftermath of the First World War. Visiting American groups such as the Original Dixieland Jazz Band and the Southern Syncopated Orchestra offered Britons their first chance to experience the music live.
The growing interest in jazz brought black and white musicians, artists and audiences together, and was crucial in influencing changes in British society, moving from stereotypes descended from the minstrel show to a more nuanced understanding of and interest in African American and black British culture.
The exhibition brings together painting, prints, cartoons, textiles and ceramics, moving film, instruments and the all-important jazz sound, to explicitly examine the influence of jazz on British art, design and wider society.