“Tall, Dark, and Tweedy”: Jazz Age Artist John Held Jr. was also an archaeological illustrator – and a World War I spy

Life Magazine cover from 1926, by John Held, Jr. Source: Washington University in St. Louis.

In the 1920s, John Held, Jr., became famous for his drawings in Life, Vanity Fair, and other magazines that enshrined the iconic flapper image: lean and leggy, with beaded necklace swinging as she danced the Charleston with her companion, the round-headed, pencil-necked, Joe College.

The “tall, dark and tweedy” (Shuttleworth 1965) artist had come to New York City from Utah in 1912, where he found work as a commercial artist. As America entered World War I, John Held would take on another, clandestine, responsibility. Continue reading ““Tall, Dark, and Tweedy”: Jazz Age Artist John Held Jr. was also an archaeological illustrator – and a World War I spy”

The Jazz Age in Britain: New Exhibit at Two Temple Place, London

Rhythm and Reaction: The Age of Jazz in Britain has opened at William Waldorf Astor’s former Mansion, Two Temple Place, in London.

From the press release:

Jazz provoked reactions ranging from devotion to abhorrence when the idea, and then the sound, of the music first entered the consciousness of the British public in the aftermath of the First World War. Visiting American groups such as the Original Dixieland Jazz Band and the Southern Syncopated Orchestra offered Britons their first chance to experience the music live.

The growing interest in jazz brought black and white musicians, artists and audiences together, and was crucial in influencing changes in British society, moving from stereotypes descended from the minstrel show to a more nuanced understanding of and interest in African American and black British culture.

The exhibition brings together painting, prints, cartoons, textiles and ceramics, moving film, instruments and the all-important jazz sound, to explicitly examine the influence of jazz on British art, design and wider society.

More details and photos at 1843 Magazine.