It’s a mug. From the New York Times: How to draw in six steps.
In the 1920s, John Held, Jr., became famous for his drawings in Life, Vanity Fair, and other magazines that enshrined the iconic flapper image: lean and leggy, with beaded necklace swinging as she danced the Charleston with her companion, the round-headed, pencil-necked, Joe College.
The “tall, dark and tweedy” (Shuttleworth 1965) artist had come to New York City from Utah in 1912, where he found work as a commercial artist. As America entered World War I, John Held would take on another, clandestine, responsibility.
Allison Meier on 1940s artist Gloria Stoll Karn, who illustrated the covers of pulp mags from Dime Mystery to Rangeland Romances.
From the press release:
Jazz provoked reactions ranging from devotion to abhorrence when the idea, and then the sound, of the music first entered the consciousness of the British public in the aftermath of the First World War. Visiting American groups such as the Original Dixieland Jazz Band and the Southern Syncopated Orchestra offered Britons their first chance to experience the music live.
The growing interest in jazz brought black and white musicians, artists and audiences together, and was crucial in influencing changes in British society, moving from stereotypes descended from the minstrel show to a more nuanced understanding of and interest in African American and black British culture.
The exhibition brings together painting, prints, cartoons, textiles and ceramics, moving film, instruments and the all-important jazz sound, to explicitly examine the influence of jazz on British art, design and wider society.
More details and photos at 1843 Magazine.
With the 100th anniversary of the death of Martha, the last passenger pigeon, only days away, Ectopistes-related events are happening everywhere. Here are some to look forward to over the Labor Day weekend and beyond:
Held at the original home of Martha and co-sponsored by the Ohio Ornithological Society, this event includes a Friday night cocktail party, a Saturday symposium with Joel Greenberg and others, and birdwatching opportunities.
Once There Were Billions: Vanished Birds of North America has been open since late June. Martha herself can be found here. The Smithsonian is also having a twitterchat about Martha on September 2, 2-3 P.M. EST. Check out #Martha100.
Artists Sayler/Morris have created a new art exhibit at this fascinating museum in North Adams, Massachusetts, that contemplates the life and death of the passenger pigeon. Here’s more from the museum’s press release:
Eclipse consists of a massive 100-foot video projection, screens on the walls and ceiling of MASS MoCA’s four-story atrium. The video loop shows a flock of passenger pigeons in reverse-negative silhouette lifting out of a life-sized tree, accompanied by sound design consisting of layers of digitally processed human voices. The exhibition offers a space for reflection with a limited-edition artist publication that will include writings by Kolbert, original photography by Sayler/Morris, and archival images.
Eclipse officially opens on September 1.
Michael Pestel’s multimedia art exhibition Requiem, Ectopistes migratorious, “ metaphorically places Martha at the center of the installation in the form of a human-scale birdcage, encouraging visitors to contemplate extinction—of the passenger pigeon, of other species, and perhaps even author Elizabeth Kolbert’s The Sixth Extinction.” It opens September 1 with a presentation by the artist, music, and readings.
On September 8, Steve Kuehn will give a talk entitled The Prehistory of “The Feathered Tempest”: Passenger Pigeon Zooarchaeology in the Upper Midwest focusing on pigeon bones from archaeological sites in Illinois and Wisconsin.
The University of Michigan Museum of Natural History created this exhibit, which is being presented at many venues throughout the country, including the Florida Museum of Natural History, the New Jersey State Museum, and the Harbor Springs Area Historical Society. Many locales are supplementing the display with material from their own collections.
Fold the Flock, a part of the Lost Bird Project, has created a free origami template so you can print out and fold your own paper passenger pigeon. They’re trying to get one million birds folded by the end of the year.